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PRODUCED
PRODUCED
TECH HANDS NEEDED
PSM
MUSIC DIRECTOR
SOUND OPERATOR
Final Act Follies: 11 O'Clock Numbers
Final Act Follies: 11 O'Clock Numbers
2026 SP1- Joaquin Cota Levin
2026 SP1- Joaquin Cota Levin
SUMMARY
An 11 O’Clock number refers to the final large, show-stopping number that occurs late in the second act of a musical. Think Rose’s Turn, Cabaret, Memory, and others. This cabaret draws on the 11 O’Clock numbers in the musical theatre canon and brings them together to create a vibrant display of talent in a constant emotional showstopper of a performance.
CREATIVE
Director: Joaquin Cota Levin
Production Stage Manager: NEEDED
Assistant Stage Manager: NEEDED
PERFORMANCES
Febuary 21st @7:30pm
Febuary 22nd @2:00pm
The Rue Auditorium
TECH HANDS NEEDED
PSM
ASM
SOUND OPERATOR
Stupid F**king Bird
Stupid F**king Bird
2026 S2- Sophia Ramos
2026 S2- Sophia Ramos
SUMMARY
An aspiring young director rampages against the art created by his
mother’s generation. A nubile young actress wrestles with an aging
Hollywood star for the affections of a renowned novelist. And everyone
discovers just how disappointing love, art, and growing up can be.
CREATIVE
Director: Sophia Ramos
Assistant Director: Lucas Vitale
Production Stage Manager: NEEDED
Assistant Stage Manager: NEEDED
PERFORMANCES
April 3rd @7:30
April 4th @ 7:30
April 5th @ 2:00
Rue Auditorium
AUDITION INFORMATION
AUDITION INFORMATION
WHERE AND WHEN? -3/3 @6:30pm
The Audition date is March 3rd, 2026, at 6:30 pm! Please come prepared with a 1-min contemporary monologue. We may ask you to sing, so prepare a short cut that will be acapella.
Please sign up for your audition slot using Sign Up Genius.
(YOU are unable to audition for Stupid F***king bird if you are in the cast of myths and hymns or 9 to 5 or rider dances)
God of Carnage
God of Carnage
2026 S3- Hailey Tedesco
2026 S3- Hailey Tedesco
SUMMARY
Winner of the 2009 Tony Award for Best Play, God of Carnage relates an evening in the lives of two couples, residents of a tony Brooklyn neighborhood, who meet to discuss a playground incident. Alan and Annette’s son hit Michael and Veronica’s son in the face with a stick, resulting in two broken teeth. The four of them agree to discuss the incident civilly, but, as the night wears on and drinks are imbibed, the polite veneer breaks down. The couples initially spar against each other, but the men gang up on the women and the spouses switch sides as the fighting continues. Reza’s play suggests that our civilized trappings do a poor job of hiding our venality and bile.
CREATIVE
Director: Hailey Tedesco
Assistant Directors: Gavin Evanson, Chloe B Kelly
Production Stage Manager: Ella Ryb
Assistant Stage Manager: NEEDED
PERFORMANCES
April 17th @7:30
April 18th @ 7:30
April 19th @ 2:00
Location TBD
AUDITION INFORMATION
AUDITION INFORMATION
WHERE AND WHEN? -3/24 @6:30pm
The Audition date is March 24th, 2026, at 6:30 pm! Please come prepared with a 1-min contemporary monologue.
Please sign up for your audition slot using Sign Up Genius.
(YOU are unable to audition for God of Carnage if you are in the cast or crew of Myths and Hymns, 9 to 5 crew, or Rider Dances or RDE)
ALL RIGHTS PENDING
ALL RIGHTS PENDING
PRESENTED
PRESENTED
TECH HANDS NEEDED
PSM
MUSIC DIRECTOR
SOUND OPERATOR
Roles We'll Never Play
Roles We'll Never Play
2026 SP2- Vibel Nakande
2026 SP2- Vibel Nakande
SUMMARY
An assortment of songs from musicals performed “miscast”. I want to build the show around the cast, so depending on those involved, there would be 15-20 numbers. The goal is to collaborate with my cast and pick songs they would “never” be considered for. My vision is for there to be solos, duets, and group numbers that are genderbent, changed from original race (stereotypical white roles sung by poc), or anything my cast would like to perform outside of their “type”!
CREATIVE
Director: Vibel Nakande
Production Stage Manager: NEEDED
Assistant Stage Manager: NEEDED
PERFORMANCES
April 24th @7:30pm
April 25th @2:00pm
The Spitz Theater
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